Very Noir, right? My take on 1984. Don’t worry, we take it down a notch with page three, but artist Chip Skelton did some amazing work on these first two pages and you can’t deny that.
Well, you can, but you’d be wrong.
Very Noir, right? My take on 1984. Don’t worry, we take it down a notch with page three, but artist Chip Skelton did some amazing work on these first two pages and you can’t deny that.
Well, you can, but you’d be wrong.
Wow. It’s looking GOOD, Brock. I’m excited to see where this goes.
Thanks, Heidi! This is a fun one. Featuring some characters you’ve never seen before.
Hey, everybody! I have a question. I notice that no one comments much when the SFO’s from the printed book are finally put online. Is that because most of you have bought the SuperFogeys book (that big blue one with Cap’s face on it?) and this isn’t new and exciting to you?
For me, yes, although I still love and appreciate the story and artwork. You’d think this would be a good time for me to finally comment on the art and story I read so long ago, but somehow it’s out of my system by now.
So, show of hands: Who owns the printed book that this tale is in? š And why haven’t you commented on this find piece of noir parody yet? š
Good question Will. I would imagine a very small part of the readership bothers to ever comment to begin with. Interaction with the creators and the other readers really ups my interest level (which might be why my comic reading is done solely online).
You and a few others offer some good in depth observations. Most of my comments are driven by other’s commentary or if I have a specific thought to share. Very rarely, and I should definitely up my frequency, do I comment just to offer props to our artists.